A total re-paint of an old painting brings it up-to-date. |
I was making my way through some bush on the top of a prominent knoll when I first laid eyes on this grouping of equine pasture-mates.
They were all oblivious to me, save the one on the far right who makes eye contact.
Luckily I had my trusty 35 mm camera with me so I was able to capture a few shots before the 'observant one' alerted his friends of my presence. A few seconds later they were off galloping away from the scene.
This painting, for some reason, never quite got finished those many years ago.
I was inspired to pick it up where I left off and must say I am quite pleased with the finished result. My style and technique have come a long way since this was started. I virtually re-painted the entire surface, increasing the color values, pumping up the contrast and infusing the distant background with a purple haze to create more depth and atmosphere.
'Over the Hill' detail |
Michael, would you consider painting this one again just as you have cropped it above. Personally I think it is a stronger painting that way. Just saying.
ReplyDeleteThat might be fun, I do like that arrangement of horses. The shadows in particular. (Including the imaginary ones.)
ReplyDelete...but on the other hand I really love the tall composition above. It has a grand sweeping nature to it that is reminiscent of the rolling Ryan Hills. Almost a horizontal panarama.
ReplyDeletei like the second one best, the horse to the left turned out really good!
ReplyDeleteThanks, +Marija Falina. It can be interesting to crop things, sometimes this reveals hidden strengths in the composition.
ReplyDelete